Analysis of the poem "Prayer of Steel" by Carl Sanburg

orison of nerve Carl Sandburg (1878-1967) record me on an anvil, O god Beat me and dick me into a crowbar. Let me pry rook old w onlys. Let me lift and loosen old foundations Lay me on an anvil, Oh God. Beat me and hammer me into a steel spike. grounds me into the girders that hold a skyscraper together. Take red-hot rivets and restrain me into the primaeval girders. Let me be the not bad(p) nail holding a skyscraper together through blue nights into white stars. A formalist see of the song Prayer of Steel is a short poem composed of 9 lines, the ninth being the longest. The cohesive devices in the poem provide be analyzed on trinity levels: lexical, grammatical, and phonological. The analysis go out be made freshman of the private stanzas, then of the general structure of the whole poem. Leechs idea of ropiness will be referred to where necessary. General observations The title Prayers of Steel is an example of foregrounding: steel is a kind of metal, and then it is inanimate and cannot perform the action of apothegm prayers, an action performed merely by a human being. Obviously, the poet has deviated from the by and large notice rulles of the language, and it is significant that these atomic number 18 prayers of steel, not of rubber.

The inference is that any(prenominal) the speaker wishes to carry out will require a great deal of effectivity and determination. From the title, foregrounding then extends into the poem so that we have cohesion of foregrounding, in which the foregrounded features identified in isolation are related to one another, and to the poem as a whole, as can be observed below. ! Cohesion in the individual stanzas Stanza 1 Lexical cohesion: First we observe that among all the images use in the first stanza, there... If you want to get a full moon essay, order it on our website: BestEssayCheap.com

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