Film Analysis - The Last Metro

Francois Truffauts authorised film The Last tubing depicts the frustration, confusion, and compromise in German occupied WWII France through the genus Lens of theatre. A strong vestigial theme of the movie is ambiguity. For instance, the portion Bernard farmer is a young, grownup actor who supports the opposition notwithstanding his actions ar very unclear. The portraying of Bernard Granger parallels Frances romanticized images of resisting the German occupation when in humanity who collaborated and how m both were part of the foeman is vague at best.\nBernard Granger is just aboutly concerned with using his dashing looks and charm to shamelessly flirt with women, but becalm finds time to watch with his wiz in the confrontation. From what we are shown of Bernard he is against the occupation but his actions are, for the most part, passive. Bernards involvement and ideals are largely unexplored boot out for the implication that he false the theaters learn player i nto a bomb. However, we neer hold back the explosion or become involved in his fight. The viewer is never shown each action, hear any discussions regarding the non-homogeneous governments or political environment, or come to understand any sense of the resistance as an entire movement. One alone comes to understand that Bernard is a randy rebel who you assume is an alert member of the resistance.\nOne shaping moment for Bernard is when his friend from the resistance is arrested. Bernard is apparently waiting to meet with a member of the resistance when his friend is swarmed with police adjust in front of him and he does nothing but watch. by chance he realizes that he atomic number 50 only do so much and he is go off continuing the accomplishment without his friend, but we never see him take any hatchway to continue organizing and acting against the German occupation.\nWhat we do see, however, is Bernard Grangers proposed resignation from the theater in order to follow the resistance. Although he at first app...